No budget overages.
No missed deadlines.
Ever.

Colormatics is a creative studio, which means it does both in one team. The same people come up with the idea, write it, direct it, produce it and finish it in post. Brands get agency-level strategy and creative without handing the work to a separate production company, so nothing gets lost between the first idea and the final cut.

Colormatics works with challenger brands in sports and culture, especially in moments of change like a launch, a new market or a fight with bigger competitors. Its deepest experience is in DFS, prediction markets, Rips, crypto, leagues and athletes, with clients including PrizePicks, Underdog, Courtside, Kraken, MLB, the Miami Heat and the Golden State Warriors.

Yes. DFS and prediction markets are Colormatics' deepest category experience, including three years as PrizePicks' creative partner and work for Underdog and Courtside. The team knows the sports calendar, the promo-heavy category and the broadcast clearance process these brands go through.

Colormatics has been PrizePicks' creative partner for three years, making campaigns like Druski Knows Ball and Jingle Hoops 2.0 with Druski, Joe Budden and BigXthaPlug.

Yes. Colormatics has taken DFS and prediction market spots through network standards review and builds creative with clearance requirements in mind from the start.

Yes. Card-pack and Rips apps are a growing focus for Colormatics, building on its DFS experience and its understanding of why collectors love the rip.

Colormatics can turn around reactive spots tied to a big game or viral moment in 72 hours.

Two things. Every idea is creative with a purpose: it has to make people feel something and hit the business goal, within budget. And one integrated team takes the work from first idea to final cut with no handoffs, which means faster timelines, fewer surprises and work that comes out the way it was imagined.

Yes. Colormatics covers creative strategy, concepting, scripting, directing, production, post-production, and media strategy and buying. Clients can use Colormatics' insights and media teams or bring their own. Either way, the creative is built around where it will run and what it needs to achieve.

Fewer handoffs, faster decisions and senior people on every project. At a large agency, work passes from strategy to creative to a production company to post, and every handoff adds cost and time. At Colormatics the people who dream it up are the people who make it, so more of the budget ends up on screen.

A production company executes someone else's idea. Colormatics starts with the brand's business problem and the creative idea, then directs, produces and finishes the work itself. Brands get the craft of a production company with the thinking of a creative agency.

Yes. Colormatics shoots across the US and sets up remote viewing so stakeholders who can't be on set can watch and give notes in real time.

Yes. Every campaign starts with a business goal, such as downloads, sign-ups, sales or awareness, and the creative is built and cut to hit it. Results include 28 million organic plays for PrizePicks x Druski, a 380% ROI for FTX's Moon Man, 6X ROAS for Blockfolio with Trevor Lawrence, and a 50% sales lift with 5X ROAS for Squatty Potty.

Yes. The Colormatics post team re-cuts, versions and refreshes existing spots, from new hooks and aspect ratios to :30, :15 and :06 cutdowns, so brands can test what works and get more life out of footage they already own.

It depends on the job. Hero work that defines a brand earns higher production value, while always-on social content earns speed and volume. Colormatics usually plans both from the same shoot, so one production yields a hero spot plus the cutdowns and variants needed for testing.

Yes. Colormatics plans shoots that yield months of assets, including hero spots, social cutdowns, behind-the-scenes and reactive content tied to the sports calendar. It has been PrizePicks' creative partner for three years on an ongoing basis.

Yes. Colormatics plans every shoot for every format it needs to feed, so a single production can deliver a brand film, :30 and :15 spots, vertical social edits and behind-the-scenes content.

Yes. Colormatics has made work with Stephen Curry, Shaquille O'Neal, Druski and Trevor Lawrence, and it handles the talent search, creative fit and on-set direction so the talent feels natural on camera.

Yes. Colormatics runs the full process: building a shortlist that fits the brand, checking interest, availability and pricing, developing the creative concept and closing the deal.

Yes. Colormatics casts creators the audience already follows and pairs them with brand storytelling, so the content feels native to their feed.

Yes. Colormatics builds creative assets people recognize in seconds, such as characters, lines and signature visual styles. FTX's Moon Man, a character placed in MLB playoff stadiums, delivered 1.2 billion impressions and a 380% ROI.

Colormatics starts with a call to understand your goal, audience and budget, then walks you through a proposal, usually within a week.

Most campaigns take 6 to 10 weeks from first idea to final cut. Reactive and social content can move much faster.

Both. Some clients hire Colormatics for a single campaign, and others keep an ongoing creative partnership, like PrizePicks has for three years.

Projects typically range from about $50,000 for post-production and always-on content to $250,000 and up for national campaigns. Every proposal is scoped to the business goal, and Colormatics promises no budget overages and no missed deadlines.

Yes. Proposals break out creative, production, post-production and media, with approval steps and change rules spelled out up front.

Yes. Many brands start with a single campaign, a re-cut of existing work or a reactive spot before moving to an ongoing partnership.

Colormatics has teams in Spokane, Washington and Austin, Texas, and produces work nationwide. It was founded in New York City in 2014.

Yes. Colormatics is headquartered in downtown Spokane and makes national campaigns for brands like PrizePicks, MLB and FTX, alongside local clients like Providence and Gonzaga.